I find I admire those artists who immerse themselves in some key concepts of their craft, learn the history, and then greet life as it is in the moment with eyes wide open. Think of Samin Nosrat traveling the world through the lens of Salt Fat Acid Heat chemistry to create nuanced variety and tastes from each culture as she goes.
I just watched a film about Piet Oudolf, a Landscape Architect I have admired. Seeing his process, you realize that his simple color-coded marks on paper are an expedient notation to trigger all he has internalized about the “character” of plants as “actors” to place on his stage.
We used to say in my father’s design firm “make the grid to break the grid!”. Structure and improvisational play are the keys to the flow that occurs within the artist and sympathetically resonates in each of us as we join the dance.
I’m a lifelong hack on the saxophone. Yet, even in my amateurish ways, this perennial balancing act is what I’m striving for both consciously and innately in my playing. A very compassionate sax teacher of mine (You need to be saintly patient to be a music teacher!) once tenderly implored me to “please Henry, learn your scales, then forget them!”.
So, it’s no surprise these kinds of dynamic tensions have embedded themselves in my practice of Project Management. Like a good martial artist, we need to know when to be “tight” and when to be “loose”.
In my projects, to strike a balance between polarities, I have selectively taken elements from many frameworks and methodologies over the years. A bulleted list looks like this:
- “Lean” for efficiency and making work visible
- “Agile” for velocity and allowing teams to self-organize
- “Jobs To Be Done” framework for outcome-driven innovation and prioritization
- “Design Thinking” for enabling the business to drive technology at the nexus of “desirability, viability, and feasibility
- “Critical Chain Project Management” for optimizing resources
- “Earned Value Management” for consistent, objective reporting
- “Organizational Change Management for the adoption and sustainability of project outcomes
- And all of the PMBOK, BABOK, and DMBOK guidelines…
I have taken my path through these ideas driven by the ad hoc experiential needs of my work. That’s why I was very excited to see the next evolutionary step coming from the Project Management Institute (PMI) with their introduction of Disciplined Agile training and certifications. The idea is simple. One size does not fit all. Good execution of that simple idea takes lots of practice and staying open to a continuous journey.
I am adding some discipline to my experience and embarking on formal training and certification in Disciplined Agile. I’m looking forward to putting more tools in my kit and learning how to use the right tool for each job.
As Miles Davis said, “Man, you got to get hot if you want to blow cool!”.